This week at critical path giving a workshop which will among other things aim to stimulate critical thoughts about so called 'interactive media'.
WATCH this space for a REPORT of the workshop.
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text flowing out at the cellsbutton_02 party
and the rest of the report coming soon...
but for now go to see the images
more soon
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;)
Happy 8th anniversary dyne.org!!
HONF and Cellsbutton#02 participants motivated by Jaromil’s idea to go to Merapi Mountain on 8 August 2008 to celebrate this special day for dyne.org and the world. After the issues brought into Bricolabs mailing list and many positive responds from the others, 888 smoky mountains for HONF is definitely a must.
;)
More on Camping 080808 cellsCamping at Merapi mt
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Nu Substance commonroom Helarfest08 Presentations: Nancy Mauro-Flude a.k.a sister0 and Jaromil Rojo of dyne:bolic
helar.festival.2008.bdg aims to cultivate the emerging practice in contemporary creative culture both in local and global context. Being rise within the mediated global and local environments, helar.festival.2008.bdg incorporate various activities and programs that are presenting a wide selection of creative work in the field of music, film, art, architecture, media, design, public art, traditional culture & heritage. It engages the local creative scene with global audience to challenges the common notion on contemporary culture and its creative practice today. More...
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Looking for places to buy in Hobart And found the old family residence of The Errol Flynn
pitty i don't have 1.7milion$. And - its too big for me anyhow :D
;)
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A friend sent me this quote. Possibly Apt and thought provoking and a little sad.
I repeat it here: From Adorno's Minimal Moralia[2951]
/Inter pares/. – [Latin: among equals] In the realm of erotic qualities, a revaluation seems to be occurring. Under liberalism, well into our day, married men from high society who were unsatisfied with their strictly brought up and correct spouses absolved themselves in the company of female artists, bohemians, sugar babies [/süsse Mädeln/: sweet maidens] and cocottes. With the rationalization of society this possibility of unregimented happiness has disappeared. The cocottes are extinct, the sugar babies probably never existed in Anglo-Saxon countries and other lands of technical civilization, while the female artists and those bohemians who exist parasitically in the mass culture are so thoroughly permeated with the latter’s reason, that those who flee in longing to their anarchy, to the free accessibility of their own use-value, are in danger of waking up to the obligation of engaging them as assistants, if not at least recommending them to a film-executive or scriptwriter they know. The only ones who are still capable of something like irrational love are precisely those ladies who the spouses once fled on excursions to Maxim’s [Maxim: famous restaurant in Paris]. While they are as tiresome to their own husbands, due to the latter’s fault, as their own mothers, they are at least capable of granting to others, what all others have withheld from them. The long since frigid libertine represents business, while the proper and well brought up lady represents yearning and unromantic sexuality. In the end, the ladies of society garner the honor of their dishonor, in the moment when there is no more society and no more ladies.
Image taken of me attempting to be St Teresa in ecstasy, during Vienna residency, one evening in collaboration with Jesse Darlin'.
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Also will be at GENRATECH at Hangar in Barcelona there is performances and set of workshops going on about gender, free software, audio video production and debates around these fields.
ill be showing paraphernalia and talking about bricolage as a design approach.
presentation will be on saturday:
19:00h. Feminismos y Activismo TecnoCultural - Redes femeninas, Producción
espontanea & Human interface devices (HID) (Feminisms and TecnoCultural
Activisms - Feminine nets, Spontaneous Production & Human interface
devices)
-Reni Hofmuller
-Sara Platon
-Nancy Mauro-Flude
here too:
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cellsbutton#02
yogyakarta international media art festival 2008
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and then
Dramaturgy, Sensors, Custom Built Interfaces in Performance, at critical path in sydeny
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And what is it you saw?
My self ...
(Conversation with the Goddess of Illusion)
Remembering the turn of the century, lamenting on people who have now left us. Looking through old influences that they brought to us. And how we were reminded of leaves+petalz by Netochka Nezvanova.
"The source and location - nowhere. The displaced garden is rootless, seedless, derived from technologically-altered and increasingly sophisticated information. Content and meaning disperse with such speed that sound rapidly advances in all directions ..."
A time of possibility and fascination. enchantment on what these new interfaces and platforms could bring for those who were already displaced.
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Baglady 2.0 is a performance with a customised electronic performance tool, a bag that is embeded with a platform for broadcasting sound, digital images [video] and text.
This is being shown in a try out as a par tof the cultuur Lokaal Project.
;)
I have been working with Marko from WORM on the programming and technical aspects.
sister0 is bag lady living in the wreckage of the new dark ages. A bricoleur, who inherits neo-liberal capitalist waste, wanders through its discarded wardrobe, transforms it and plays with it. But instead of collecting material items, she is a hunter-gatherer of ephemeral moments. She collect signs of magic in the everyday, the beauty in the banal. She travels light, carries around with her a magic bag that captures audio / video and streams this on the fly.
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She’s about to get her cue, she shakes.
She who the river could not hold.
When she walks through your bedroom with butcher’s knives, you’ll know the truth.
-Ode to Ophelia.
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